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Last Post 3/31/2009 9:49 PM by  AP
What will happen with six DL titles a year?
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AP
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3/22/2009 5:10 PM

    One thing is for sure: At least some of the work will fall to an author who is not only professionally seasoned and thoroughly competent, but who understands the DL series: Victor Milan. His DL VENGEANCE TRAIL is one of the few legitimate post-LJ classics. More DLs from Mr. Milan is a very good thing for the series' readers.


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    3/22/2009 7:55 PM
    It will certainly be interesting to see how it works. Rogue Angel has cranked them out at six per year, and by and large they have been pretty decent. I am definitely looking forward to more DL books from Milan. He seems very well suited for the material.
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    3/23/2009 1:29 AM
    I thought Victor's RA novels were pretty good, but never read his DL books yet. Does this mean he has left the RA series?
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    3/23/2009 1:03 PM
    A lot of us always wished Mark would come back to DL and work his special magic on the series again.
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    3/23/2009 1:15 PM
    That seems.... unlikely.
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    3/23/2009 3:19 PM

    Posted By Ron Miles on 23 Mar 2009 01:15 PM
    That seems.... unlikely.


    Sadly
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    3/23/2009 4:50 PM

    Posted By Ron Miles on 23 Mar 2009 01:15 PM
    That seems.... unlikely.


    Thats why I used the past tense--'used to'.

    But maybe if somebody at GE asked him nicely--them doing that is probably what is unlikely.

    And it IS sad.
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    3/23/2009 5:01 PM
    Ok, I am rewording this post because it came across poorly and also presumed to speak for someone else. So let me rephrase this: Mark wrote three books for Deathland more than a decade ago. His work on Outlanders speaks for itself, but I find it highly unlikely that he would ever write for Deathlands again no matter how nicely GE asked him. That's just my own observation based on more than a decade of running this website. Stranger things have happened, but I would sooner see him coming back to Outlanders than I would to Deathlands.
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    3/23/2009 5:17 PM

    Posted By The Phantom on 23 Mar 2009 01:29 AM
    I thought Victor's RA novels were pretty good, but never read his DL books yet. Does this mean he has left the RA series?


    Based on his tweets, he just recently turned in is final (at least for now) Rogue Angel book and will be focusing on Deathlands for the time being.
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    3/24/2009 10:22 AM
    I know it's been quite some time since I've posted on these forums, but inasmuch as my name has been invoked, here I am--sort of like an online version of Candyman.

    And as long I've been conjured, I might as well separate some facts from supposition as far my involvement with DL is concerned.

    As the writer who has logged the most credentials in the "Axlerverse", both in the sheer volume of years and the number of books, I figure I'm entitled.


    Posted By Ron Miles on 23 Mar 2009 05:01 PM
    Mark wrote three books for Deathland more than a decade ago.


    True, but those three books as well as uncredited contributions to two others, resonated for years down the line.

    Not only was I the first writer other than Laurence James to write DL, elements I created for those books were picked up and carried by writers who came after me...from concepts (human mutations being the result of genetic engineering instead of the complete impossibility of environmental factors), to characters (Silas Jamaisvous), to places (the Anthill Complex).

    Other things were picked up and carried as well--that the "nukecaust" wasn't as quite as simple-minded a scenario as an evil Commie sneak attack, that the Totality Concept was far greater in scope than was initially posited, that the mat-trans units didn't operate by Einsteinian physics and so forth and so on.

    Even after I turned in Nightmare Passage (nee' Hell Eyes), I was asked by Gold Eagle on at least three different occasions to write more books in the series, but I was just too over-extended with Outlanders at the time.

    Veteran members of this site know that Raboy's wish that I would write more DL books is by no means the first time such sentiments were expressed here.

    Those wishes were posted quite frequently by a number of different members over the years, probably going back to the very first Axler forum...which I think might have appeared along about the mid-Devonian Age.

    Speaking of which--

    I participated in all of the prototypical versions of Jamesaxler.com, way back in the dark days when the message boards consisted primarly of howls of "GOsT WriTTeRZ MuSt DYE!!!!!"

    I stuck it out when no other writer wanted to have anything to do with DL fans, sometimes taking the crazed heat for books produced by writers other than myself.

    But, basically through persistence, me, Ron, Chris Van Deelen and a couple of other fans forced the Laurence James-only crowd (which in reality consisted only of two or three whackadoos with mutiple screen-names and way too much time to waste) to accept the fact that other writers had equally valid takes on DL.

    (Granted, not all DL writers had valid takes...particularly that disturbing pedophiliac flirtation which appeared in a few books about five years ago.)

    Anyhow...

    With Ron's kind indulgence, I've taken advantage of my "Elder Statesman" status here in order to clear up some misconceptions and misapprehensions. The unadorned facts are easy enough to verify simply by looking at the book section here.


    Posted By Ron Miles on 23 Mar 2009 05:01 PM
    Stranger things have happened, but I would sooner see him coming back to Outlanders than I would to Deathlands.


    Well...speaking of Outlanders (you know...the series I created and which has been consecutively published for a dozen years?)despite what some people might want you to believe (certainly for their own ends), I didn't quit.

    There's a game of "Let's Pretend" going on and I don't feel much like playing it.

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    3/24/2009 1:07 PM

    Posted By Ron Miles on 23 Mar 2009 05:01 PM
    Mark wrote three books for Deathland more than a decade ago.


    True, but those three books as well as uncredited contributions to two others, resonated for years down the line.

    Not only was I the first writer other than Laurence James to write DL, elements I created for those books were picked up and carried by writers who came after me...from concepts (human mutations being the result of genetic engineering instead of the complete impossibility of environmental factors), to characters (Silas Jamaisvous), to places (the Anthill Complex).



    Wouldn’t the other DL writers have to have READ your books in order to pick up on the insights you mention? Those same assumptions should have been obvious to anyone who’s passed high school biology—I frankly doubt that LJ had. I personally have never read a single, post-LJ Deathlands—I was however under contract to Scientific American/W.H. Freeman from 1992-1999, coauthoring an 1800-page college biology text. Obviously, a considerable portion of that material dealt with genes as the mechanism of inheritance and related environmental topics. I got my first DL contract October 6, 1995.

    The idea that your three DLs somehow had a “cascade effect” on subsequent books isn’t proven out by the facts. As good as they might have been, GE did not pass your books out to the stable for the other writers to read and follow. I had never even heard of you until after you published the first OL, and I'd worked for the company for fifteen years by then.

    More to the point, no single DL author who came after LJ has had ANY substantial impact on the series. And that includes me.


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    3/24/2009 2:12 PM

    Posted By AP on 24 Mar 2009 01:07 PM
    Wouldn’t the other DL writers have to have READ your books in order to pick up on the insights you mention?


    Er...they did.

    Otherwise, how did concepts and characters I created end up in their books?


    Posted By AP on 24 Mar 2009 01:07 PM
    The idea that your three DLs somehow had a “cascade effect” on subsequent books isn’t proven out by the facts. As good as they might have been, GE did not pass your books out to the stable for the other writers to read and follow.


    Actually, it's your only interpretation of the facts based primarily on assumption that's not proven out.

    GE did indeed pass out the first two, maybe even all three of my DL books to some of the "stable", but I wasn't referencing that.

    Mel Odom, Terry Collins and I conferred on the more "legitimate" SF direction of DL...we all wanted to stay on the same page as far as the SF elements were concerned.

    That's also one of the reasons the first batch of post-LJ books still retained a degree of book-to-book continuity. We told each other what we were doing.


    Posted By AP on 24 Mar 2009 01:07 PM
    I had never even heard of you until after you published the first OL, and I'd worked for the company for fifteen years by then


    Well, I guess we're about even there...I had never even heard of you until the then-editor of DL said you had no interest in conferring with me, Terry and Mel.


    Posted By AP on 24 Mar 2009 01:07 PM
    Those same assumptions should have been obvious to anyone who’s passed high school biology—I frankly doubt that LJ had.


    On that we're in complete agreement.

    However, whether the genetic engineering origin for the "muties" was obvious to anybody who had high school biology is irrelevant, since the genetic engineering explanation never appeared in any book until Stoneface.


    Posted By AP on 24 Mar 2009 01:07 PM
    More to the point, no single DL author who came after LJ has had ANY substantial impact on the series. And that includes me.


    I never claimed that my DL contributions (or specifically Stoneface) had a substantial or lasting impact on the series as a whole...I stated only that they influenced some of the books that followed...which the facts do indeed bear out.

    Anyway...by your own admission, if you haven't read any post-LJ DL how could you know one way or the other?
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    3/24/2009 3:08 PM
    Otherwise, how did concepts and characters I created end up in their books?


    The concepts (genetic engineering, etc.) were widely accessible at the time; you anonymously cowrote the books in which the characters appeared (Dark Emblem).

    Actually, it's your only interpretation of the facts based primarily on assumption that's not proven out.

    GE did indeed pass out the first two, maybe even all three of my DL books to some of the "stable", but I wasn't referencing that.

    Mel Odom, Terry Collins and I conferred on the more "legitimate" SF direction of DL...we all wanted to stay on the same page as far as the SF elements were concerned.

    That's also one of the reasons the first batch of post-LJ books still retained a degree of book-to-book continuity. We told each other what we were doing.


    Posted By AP on 24 Mar 2009 01:07 PM
    I had never even heard of you until after you published the first OL, and I'd worked for the company for fifteen years by then


    Well, I guess we're about even there...I had never even heard of you until the then-editor of DL said you had no interest in conferring with me, Terry and Mel.


    Having worked for the company for 15 years at that point, having seen many editors and writers come and go, I felt I had earned the right to be left alone to do my job.

    However, whether the genetic engineering origin for the "muties" was obvious to anybody who had high school biology is irrelevant, since the genetic engineering explanation never appeared in any book until Stoneface.


    If no one but Odom and Collins read your three DL books, what difference does it make?

    Anyway...by your own admission, if you haven't read any post-LJ DL how could you know one way or the other?


    If GE felt a change was necessary in LJ's canon, characters, storylines, etc, Feroze would have certainly informed the authors working on the series. Duh.
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    3/24/2009 6:07 PM

    Posted By AP on 24 Mar 2009 03:08 PM
    The concepts (genetic engineering, etc.) were widely accessible at the time;


    Of course the concepts were...I didn't state otherwise but they had not appeared in DL prior to Stoneface.

    Whether such concepts as quantum physics and pantropic science were widely accessible is irrelevant--they hadn't appeared in DL before Stoneface...and certainly the DL editor(s) at the time was unfamiliar with them.


    Posted By AP on 24 Mar 2009 03:08 PM
    you anonymously cowrote the books in which the characters appeared (Dark Emblem).


    Untrue. I contributed to Dark Emblem, which was blatantly obvious from the outset since it featured a crossover with the Outlanders novel Omega Path.

    Besides, unless things have changed the only way you can write a DL novel--much less co-write one--is anonymously.


    Posted By AP on 24 Mar 2009 03:08 PM
    If no one but Odom and Collins read your three DL books, what difference does it make?


    Well, the difference is--Mel, Terry and me produced the lion's share of DL books for the next three or so years...and of course the Baronies trilogy by Nick Pollotta featured my character of Silas Jamaisvous and referenced the Anthill and genetic engineering, years after Stoneface was released.


    Posted By AP on 24 Mar 2009 03:08 PM
    Having worked for the company for 15 years at that point, having seen many editors and writers come and go, I felt I had earned the right to be left alone to do my job.


    I wasn't passing judgement--I made the statement in response to yours.

    You felt you had earned the right to be left alone after all those years, I feel much the same way now.


    Posted By AP on 24 Mar 2009 03:08 PM
    If GE felt a change was necessary in LJ's canon, characters, storylines, etc, Feroze would have certainly informed the authors working on the series. Duh.


    Ooh...kay...

    If you say so.
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    3/24/2009 6:28 PM
    Clarification--although aspects of bio-engineering had appeared in a couple of pre-Stoneface books, it hadn't been established that deliberate genetic manipulation was responsible for the "mutie" races until Stoneface.
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    3/24/2009 6:46 PM

    Posted By Jax2 on 24 Mar 2009 06:07 PM

    Posted By AP on 24 Mar 2009 03:08 PM
    The concepts (genetic engineering, etc.) were widely accessible at the time;


    Of course the concepts were...I didn't state otherwise but they had not appeared in DL prior to Stoneface.

    Whether such concepts as quantum physics and pantropic science were widely accessible is irrelevant--they hadn't appeared in DL before Stoneface...and certainly the DL editor(s) at the time was unfamiliar with them.


    My point was, so what? Where is the Big Whoop? It didn't change the series. We seem to talking in circles.

    Bottom line: we both worked for the same wretched skinflints for many years; because of that we have many more things in common than not. If you want to continue the discussion, let’s do it in PMs.

    To clarify what I first posted in this thread about Victor Milan: I have read and enjoyed his legit science fiction (ever since I saw one of his books displayed in the Seattle Science Fiction Museum); he has published sf books for a number of MAINSTREAM houses over a couple of decades, and continues to do so. Although I haven’t read Vengeance Trail, Ron and I have had conversations about it, both on the phone and in person. I respect Ron’s intellect and his opinion about pulp fiction. I respect Victor’s track record and professional skill. I think he will do a great job on DL.
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    3/24/2009 7:17 PM
    Um...you remember that you initiated this medley with me, not the other way around, right?

    I was clarifying statements that were made about me by third parties. I didn't make the Big Whoop..that was pretty much your purview. I never said my contributions changed the series...that was your interpretation.

    But--

    You are absolutely 100 percent right that the both of us most likely have more in common than not.

    I've established my bona fides as a creator many times over, you've established your bona fides as a creator many times over.

    There's limited entertainment value in performing forensic examinations of books that were published, as Ron pointed out, over a decade ago.

    We've probably plumbed those depths and bottomed out.

    As for the "wretched skinflints"...well...I wish cheapness was the only vice demonstrated by that quarter.
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    3/24/2009 7:55 PM

    Posted By Jax2 on 24 Mar 2009 07:17 PM
    There's limited entertainment value in performing forensic examinations of books that were published, as Ron pointed out, over a decade ago.

    We've probably plumbed those depths and bottomed out.



    Maybe so, but it was sort of like old times there for awhile!


    This place was a lot more entertaining when you posted here regularly.
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    3/24/2009 8:20 PM
    Gentlemen,
    I just wanted to take a moment to thank both of you for posting here, and for being civil with each other despite your differences. I do appreciate both of your contributions.

    (On a side note, this quote thing is driving me batty. I really gotta figure out what the deal is with that.)
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    3/25/2009 8:46 AM
    Most OL fans felt Milan did a shockingly poor job with his fill-in OL novels...amateurish even. A couple of the books were really terrible stuff--.take a look at the reviews.


    Posted By AP on 24 Mar 2009 Bottom line: we both worked for the same wretched skinflints for many years;


    Probably the main reason the skinflints are so wretched is they know that your books and Marks books will be, collected, read and discussed long after all the editors, copy-editors, proof readers have been fired, quit or died and nobody will know who they are or even care.

    The only way they can deal with that is to act wretchedly towad the creative people.
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    3/25/2009 9:05 AM
    Most OL fans felt Milan did a shockingly poor job with his fill-in OL novels


    I definitely did not like his OL novels at all. That being said, his DL books have been very, very good. I have also enjoyed his Rogue Angel books (although not quite as much as Mel Odom's contributions to that series). I think OL was just a poor fit for him. If you haven't read them, check out Thunder Road or The Chosen and you'll see what I mean.
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    3/25/2009 9:38 AM

    Posted By Raboy on 25 Mar 2009 08:46 AM
    Most OL fans felt Milan did a shockingly poor job with his fill-in OL novels...amateurish even. A couple of the books were really terrible stuff--.take a look at the reviews.


    Posted By AP on 24 Mar 2009 Bottom line: we both worked for the same wretched skinflints for many years;


    Probably the main reason the skinflints are so wretched is they know that your books and Marks books will be, collected, read and discussed long after all the editors, copy-editors, proof readers have been fired, quit or died and nobody will know who they are or even care.

    The only way they can deal with that is to act wretchedly towad the creative people.


    Like I said before, it's the BUSINESS PLAN, not the individual people who work for GE. Both sides of the desk, writers and editors, are victims of it.

    Being a fill-in writer on a long-established series with a single author is an incredibly difficult task; particularly if you haven't followed the books from the beginning. And the catch-up is complicated by deadline pressures (which readers are unaware of), and in GE's case by the lack of editorial input at the Content and Developmental level. Basically, the new writers on series are given a contract, a deadline, and booted out the cargo door at 15K feet. Again, this is the BUSINESS PLAN in action.
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    3/25/2009 11:58 AM
    Poor fit?

    That excuse might have worked with the first couple of Milan's OL books but since they became progressively worse--increasingly sloppy research, poor characterization and even outright stupid---we all began to realize that he didn't give a damn.

    Besides, with only the one other author who apparently offered his help with the details, Milan's job to get things right was much easier than a dozen DL writers trying to coordinate plots and characters.

    It wasn't just a poor fit since his books never improved, they just became worse. Milan relied more and more on what we started calling "Butt Pull Bonanzas". ..like the one with Brigid carrying an interphaser in her back or the other one with Domi suddenly knowing how to pilot a stealth aircraft.

    Over the holidays I finally read Milan's final travesty, Closing the Cosmic Eye, and sorry--"poor fit" doesn't explain it away or excuse it away.

    We've had this discussion on these boards many times over the years and I suppose it really doesn't make any difference now.

    As for the Gold Eagle Business Plan...people made the plan. People can change the plan and I'm sure they do when it suits them.

    Speaking for the fans of Outlanders and Mark who participated on JA.com for many years, I cannot describe how disgusted we are that GE would treat him in such a rotten, disrespectful way and the only result is that we, the consumers who faithfully BOUGHT his series for year after year for over a decade, have been cheated out of the opportunity to continue doing so.

    So because of the Plan, I no longer can buy my favorites series written by one of my favorite authors.

    That's some brilliant "Plan", Gold Eagle.

    Maybe they should come up with another long-lived mega-hit like Room 59 to find new readers?
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    3/25/2009 12:09 PM

    Posted By Daniel on 25 Mar 2009 11:58 AM
    Maybe they should come up with another long-lived mega-hit like Room 59 to find new readers?


    That would be Rogue Angel.

    Shame about Room 59, I liked it. Especially the ones by Jonathan Morgan.
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    3/25/2009 12:54 PM

    Posted By Daniel on 25 Mar 2009 11:58 AM
    As for the Gold Eagle Business Plan...people made the plan. People can change the plan and I'm sure they do when it suits them.

    Speaking for the fans of Outlanders and Mark who participated on JA.com for many years, I cannot describe how disgusted we are that GE would treat him in such a rotten, disrespectful way and the only result is that we, the consumers who faithfully BOUGHT his series for year after year for over a decade, have been cheated out of the opportunity to continue doing so.

    So because of the Plan, I no longer can buy my favorites series written by one of my favorite authors.

    That's some brilliant "Plan", Gold Eagle.



    Okay, one more try. Just to make sure I got the point across. The "people" who make the Business Plan are NOT THE EDITORS! The editors are wage slaves, just like the writers. Just like the writers, they either follow their marching orders or they get fired. The "people" who make and delegate the Business Plan are the corporate executives, middle managers, and lawyers who run Harlequin Enterprises, Ltd. If you have a beef, you need to take it up with them.

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    3/26/2009 8:30 AM
    The final verdict on Milan's OL books was rendered by OL fans some time ago...the word "travesties" seemed to be okay with everybody.

    I've hung out here and over at Mark's forums for enough years to learn that Harlequin and its other imprints don't operate like Gold Eagle, so obviously there is more than Business Plan at work.

    I've also served in the military long enough to learn that if by following any kind of plan you  act in bad faith, dishonestly or dishonorably, such actions are the responsibility of the individual, not the plan.

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    3/26/2009 11:21 AM
    Posted By Cerberus Man on 26 Mar 2009 08:30 AM
    I've hung out here and over at Mark's forums for enough years to learn that Harlequin and its other imprints don't operate like Gold Eagle, so obviously there is more than Business Plan at work.

    I've also served in the military long enough to learn that if by following any kind of plan you  act in bad faith, dishonestly or dishonorably, such actions are the responsibility of the individual, not the plan.
    Thank you for your service.

    I'd be interested to learn what you know about the operation of Harlequin and its other imprints.  Can you elaborate?

    Your first statement above assumes that each imprint isn't an independent company; that each one is working under exactly the same Business Plan. From what I've seen of the various imprints, and imprint contracts, there is more than one Business Plan at work.

    You're right, obviously. Individuals can act in bad faith to undercut a good plan.  Neither of us know precisely what GE's plan is.  My take on it is based on what's been done to me, and done to all the other writers since the company was started--through a progression of different editorial directors.  If you want to believe the bad stuff is personal based on what you've been told, that's your right. I happen to believe it's systemic, and that it was there from beginning.





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    3/26/2009 3:57 PM
    I'm going to weigh in on this topic for a moment...I won't delve into much detail because I don't think there's much interest in the topic, particularly among more recent members of JA.com.

    But--

    The operation of Gold Eagle is completely different from other Harlequin imprints.

    Its operating model is nothing like Mira, Luna or Red Ink...maybe the closet to GE would be Harlequin Nascar.

    And that's just an uneducated and not-very-serious guess.

    So--in my opinion at least--anything systemic is due more to the individual than to the plan.
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    3/26/2009 5:35 PM
    Posted By Jax2 on 26 Mar 2009 03:57 PM
    I'm going to weigh in on this topic for a moment...I won't delve into much detail because I don't think there's much interest in the topic, particularly among more recent members of JA.com.

    But--

    The operation of Gold Eagle is completely different from other Harlequin imprints.

    Its operating model is nothing like Mira, Luna or Red Ink...maybe the closet to GE would be Harlequin Nascar.

    And that's just an uneducated and not-very-serious guess.

    So--in my opinion at least--anything systemic is due more to the individual than to the plan.
    I don’t think we have a disagreement here at all. My point is, GE’s BUSINESS PLAN (specifically the relationship between publisher and author) from the very beginning was different than any other mainstream paperback publisher. And that difference permitted, maybe even encouraged the individual excesses you are talking about.

    GE is and always has been uniquely "exploitative." With one notable exception, OL, it is all writer for hire. Writers for hire get a flat fee no matter how well the books sell. They have no ownership in the series, no share in the profits derived from their creative product. If you were going to present this as a bullet point in a Business Plan, it might read: All WRITERS ARE EXPENDABLE.

    Sure in 1983-1996, GE paid token “royalties” (2.4% of cover, instead of the standard 6% at the time). Then they took the tokens away, and along with the tokens went the royalty statements, so from then on writers for hire had no idea of their sales. Bullet Point Number Two might well be: KEEP WRITERS IGNORANT.

    (In the fifth newsletter on my website, www.officialalanphilipson.com, I reprinted and analyzed my last GE “royalty statement.” If you haven’t looked at it, you might find it entertaining.)

    Then there is the matter of punishment, and the loopholes permitting same. From the beginning, it seemed that whenever an established writer demanded more money or a better deal, a newbie writer (unknowingly working for even less) would be assigned to the series. See Bullet Point One: All Writers are Expendable.

    Bullet Point Number Three could well be: KEEP WRITERS SCARED.

    Of course these are just wild speculations on what might be part of an imaginary Business Plan, offered strictly for amusement purposes only.

    Llew32
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    3/26/2009 6:57 PM
    It seems to me that to avoid these "bullet points", intercommunication amongst the writers would be something to consider.   When ever the powers that be try to use tactics like these, the workers should always end run them and that can't be done without communication amongst themselves.  If you're informed, it makes it much harder for the bosses to screw you. 

    Just my opinion anyway


    Ron Miles
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    3/26/2009 8:00 PM
    What would be their motivation to do that? "Art"? They aren't even employees, they are contracted temps who get paid the same whether the book sells ten copies or ten thousand. Certainly there is a certain amount of pride to be had in the work you do, but pride and two bucks won't even get you a cup of coffee these days. Specifically, the writers have no control over the order the books will be published. They may know the proposed order of publication, but the editor can and does change that order for any number of reasons. So if the the writers kept tight communication so that each book would directly lead into the next, and then the publisher decides to flip the order for some arbitrary reason, then the authors look like idiots and the readers blame them for bad continuity.

    But even if their plan worked, and they snuck in actual increased levels of quality to the series, what do they get out of it? Their name isn't on the cover of the book. You and I know who they are, but we are a vanishingly small minority of the readership. Most of the folks who plunk down their cash for the new Deathlands think there really is some guy named James Axler out there, cranking out the books for the last two decades. So these cunningly skilled authors manage to get high acclaim among perhaps a dozen readers, nobody else knows who they are, and since they don't get royalties they don't get to pocket any extra cash for their hard work. Instead, they see the publisher make more money while they get the scraps.

    I wish it were different. I wish the series had better continuity, and that the quality of the stories were consistently high instead of being hit or miss. I also wish I had moved all of my 401k money into a cash position six months ago, but wishing doesn't get me much.
    "Sadly then I knew the answer. All her life she was a dancer, but no one ever played the song she knew." - The Residents
    Millennial Man
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    3/26/2009 10:17 PM
    I have a question? Can the writers/or editors talk to the CEOs of either Harlequin or Gold Eagleand express their concerns where DL or OL is going?
    Raboy
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    3/27/2009 12:34 AM
    If the genius "edtiors' at GE can't figure out a way to keep their most popular and best-selling writers, talking to the CEOs won't make any difference.
    Daniel
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    3/27/2009 10:15 AM
    Editorial abuses and idiocy have been touched on here a few times over the years and it's refreshing to see it brought out in the open by people who have direct experience with it. A welcome change from discussions about new guns!

    I remember posting here in years past about how I think the GE model is ass-backward, that they think it's the series, not the creators that are important... so they use the revolving door process, assuming that no matter how bad (or in the case of Milan's fill-in OL books how stupid) they get, the series itself is important and we consumers are too dumb to know the difference between a good book or a bad one or when a previously intelligent series suddenly goes stupid.

    Except for tie-in books like Star Trek or Star Wars, no other book publisher does that--and with Star Trek and Star Wars books, the real writer's name is put on the cover, not some dumb-ass "house name".

    The only way we the consumer can have any say is with our money. I started reading OL back in the summer of 1997 when I was 13 and for several years I bought all the OL audio books direct from Graphic Audio.

    I stopped buying the audio books when I found out Mark was denied royalties and I stopped buying the novels last fall when I found out he was not writing them.

    When and if Mark returns to OL, then I'll happily shell out my money for the books again...if he starts getting a cut from the audio book versions that Graphic Audio has been churning out for YEARS, I'll start buying them again.

    In this economy, people don't need a lot of excuses to curtail their buying habits. In a way, I'm relieved I don't feel compelled to buy OL any more. I haven't bought a GE book since August of 08 and I have no intention of changing that.
    Cerberus Man
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    3/28/2009 11:20 AM

    Same here.

    "It's better to have a blaster and not need it than to need it and--" "Oh, spare me," Brigid said irritably. (Kane and Brigid Baptiste from Armageddon Axis)
    AP
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    3/28/2009 7:35 PM
    Posted By Daniel on 27 Mar 2009 10:15 AM
    Editorial abuses and idiocy have been touched on here a few times over the years and it's refreshing to see it brought out in the open by people who have direct experience with it. A welcome change from discussions about new guns!

    I remember posting here in years past about how I think the GE model is ass-backward, that they think it's the series, not the creators that are important... so they use the revolving door process, assuming that no matter how bad (or in the case of Milan's fill-in OL books how stupid) they get, the series itself is important and we consumers are too dumb to know the difference between a good book or a bad one or when a previously intelligent series suddenly goes stupid.

    Except for tie-in books like Star Trek or Star Wars, no other book publisher does that--and with Star Trek and Star Wars books, the real writer's name is put on the cover, not some dumb-ass "house name".

    The only way we the consumer can have any say is with our money. I started reading OL back in the summer of 1997 when I was 13 and for several years I bought all the OL audio books direct from Graphic Audio.

    I stopped buying the audio books when I found out Mark was denied royalties and I stopped buying the novels last fall when I found out he was not writing them.

    When and if Mark returns to OL, then I'll happily shell out my money for the books again...if he starts getting a cut from the audio book versions that Graphic Audio has been churning out for YEARS, I'll start buying them again.

    In this economy, people don't need a lot of excuses to curtail their buying habits. In a way, I'm relieved I don't feel compelled to buy OL any more. I haven't bought a GE book since August of 08 and I have no intention of changing that.

    Let’s see, between you and Cerberus Man that’s two $6.99 cover price books GE won’t be selling. Wholesale price at four-something, each. GE’s production/warehouse cost is maybe two bucks of wholesale. Press run of at least 50K books. Yep, losing four bucks total will make the CEOs turn in their sleep.

    Do you know what would make a refreshing (I had to bite my tongue to keep from inserting the “f” word) change? If people started posting in some detail what they actually LIKE about their favorite writers’ work, as opposed to what they HATE about everyone else’s (writers and editors). I mean really, if you want to promote somebody’s talent, you do it by explaining that talent, making other people see it, and making them want to read the books.

    Just a thought.
    Llew32
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    3/28/2009 9:03 PM
    Posted By AP on 28 Mar 2009 07:35 PM

    Do you know what would make a refreshing (I had to bite my tongue to keep from inserting the “f” word) change? If people started posting in some detail what they actually LIKE about their favorite writers’ work, as opposed to what they HATE about everyone else’s (writers and editors). I mean really, if you want to promote somebody’s talent, you do it by explaining that talent, making other people see it, and making them want to read the books.

    Just a thought.

    That actually has been tried in recent past incarnations of this board.  However, due to thin skins and intentional misinterpretations of commentaries by both DL fans and OL fans, It did not work very well.  Throw in some mentally unbalanced problematic posters bent on disruption at any cost, you get a lot of bad blood between the OL/DL encampments.  You also get the ghost town that we have today. 

    One can only hope that those problems are past and this new incarnation will be a more pleasant space. 

    It has been very quiet since Ron put in the new software.  I have enjoyed the spirited conversation of the last week or so.  It almost has the feel of older versions when people actually discussed thier favorite authors without fear of reprisal by the "other camp" 

    I hope it continues
    Ron Miles
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    3/28/2009 9:11 PM
    Posted By Llew32 on 28 Mar 2009 09:03 PM
    ...One can only hope that those problems are past and this new incarnation will be a more pleasant space. 

    It has been very quiet since Ron put in the new software.  I have enjoyed the spirited conversation of the last week or so.  It almost has the feel of older versions when people actually discussed their favorite authors without fear of reprisal by the "other camp" 

    I hope it continues


    You have my assurance that I am fully involved with the board, and dedicated to making it an exciting, interesting, and above all welcoming place to hang out. I took a very light hand in the past, but those days are now over.
    "Sadly then I knew the answer. All her life she was a dancer, but no one ever played the song she knew." - The Residents
    Chuck
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    3/31/2009 12:57 AM
    The other good news about six titles a year? Is that you will be seeing some titles by me! My first DL is already in the pipe and I start my second after I finish a Mack Bolan book.
    Whoopee!

    Chuck
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    3/31/2009 5:36 AM
    Chuck, thanks so much for posting! I look forward to seeing your entries in the series. Definitely do not be a stranger here!
    "Sadly then I knew the answer. All her life she was a dancer, but no one ever played the song she knew." - The Residents
    Millennial Man
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    3/31/2009 8:36 AM
    Welcome aboard, Chuck I have read your books in the Mack Bolan universe. I can say I enjoyed every single MB book. Waiting patiently for your take on Deathlands.
    AP
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    3/31/2009 11:14 AM
    Posted By Chuck on 31 Mar 2009 12:57 AM
    The other good news about six titles a year? Is that you will be seeing some titles by me! My first DL is already in the pipe and I start my second after I finish a Mack Bolan book.
    Whoopee!

    Chuck
    Congratulations on the move to DL. I remember how excited I was when I first started writing it--no matter the series' flaws, there's a lot more room for a writer to play than in the paramilitary stuff. 

    Keep us posted on what you're doing--trust me, everyone here is keenly interested.

    Best of Luck.

    )3az )3aziah
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    3/31/2009 2:52 PM
    How long will we have to wait to see your first title ?
    ===============================
    Billy Fish: He wants to know if we are gods.
    Peachy Carnehan: Not gods - Englishmen. The next best thing.


    Please check out my FLICKR photos
    skullspliter
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    3/31/2009 3:08 PM
    I would like to thank AP and JAX2 for the great books and i'm also looking forward to reading Chucks books too.
    Chuck
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    3/31/2009 3:25 PM
    Not sure, last I heard it was in the editing stage and I have sent them suggestions for the cover art. I do know that it was moved up in the schedule, so hopefully soon. The working title was "Dark Island" but that may have been changed.

    best
    Chuck
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    3/31/2009 7:50 PM
    I have read the series of DL and OL and have enjoyed them alot. I am sorry to see the bitterness and anger expressed by our author. I for one have only gratitude toward you and your fellows for providing a gripping story for me to read.
    AP
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    3/31/2009 9:49 PM
    Posted By Corporal Chaos on 31 Mar 2009 07:50 PM
    I have read the series of DL and OL and have enjoyed them alot. I am sorry to see the bitterness and anger expressed by our author. I for one have only gratitude toward you and your fellows for providing a gripping story for me to read.
    Good to hear from you C.C.  Not sure which DL/OL author you are talking about. I'm certainly not bitter or angry.  Au contraire, Dude, I'm free.  AND TOMORROW AP GOES ROGUE!



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